Sunday, July 24, 2011
Hoodie Allen - "The Chase Is On"
Friday, July 22, 2011
Chris Webby at Key Club (Review)
This is my first post on SUPERGOODMUSIC, so thought I would let you know a little about what I enjoy about attending music shows - I love when I see people moving around, specifically if they are waving their arms in the air, dancing or just singing along.
I have always had mixed feelings with Chris Webby, consistently going back and forth with following him on twitter. However seeing him live at The Key Club on Wednedsay, my feelings sort of stayed the same. I hate to like the kid, but he's a good rapper.
At times being among the all ages crowd made me feel like I was seeing Chris "Baby" instead of Webby but the kid can hold his own with catchy songs like "I Need A Dollar" and "La La La". However he also lost interest in me and other fans when he played "ADD" and the songs that followed. His other highlights might have been the support he had on stage with R & B vocalist Miss Deja doing hooks on a couple tracks and DJ Semi opening/hyping Webby up with a quick 3-5 minute DJ set.
Overall Webby had real good stage presence, got the crowd engaged several times but also had some yawners during his hour long set. Yet, I found some new favorites after hearing him perform. So if I had to put a value on his performance, I would say it would be worth seeing Chris Webby for $15 or less. Here's three of my favorites Webby performed.
Mac Miller - I Need A Dollar ft. Mac Miller
Chris Webby - Get Down ft. OnCue
Saturday, April 30, 2011
Chicago Funk Fusion at The Mint

Continuing the trend of funk parading through The Mint during Jazzfest West, Sidewalk Chalk, a Chicago based group that fuses jazz, funk and hip-hop, hits their stage on Sunday night.
Lifting a page out of The Roots Organix and Do You Want More? handbooks, Sidewalk Chalk makes their best efforts to blend jazz informed bass and rhythms with a female vocalist and male MCs that guide you on a musical journey. Although not as tight as the Jimmy Fallon house band, Sidewalk Chalk is finding their way in a too infrequently explored musical space. Check out this video of them in the studio....
Hats & Shoes | Sidewalk Chalk | Studio 10 Sessions from David Burkart on Vimeo.
Saturday, March 12, 2011
T. Mills - Ready and Fired in 2010, Exploding in 2011

#Imjustsaying - Dog Shit is that New Shit
Monday, March 7, 2011
Childish Gambino/Donald Glover Comes Out Tomorrow

16-Apr-Ames, IA - Iowa State Center (N/A)
18-Apr-Boulder, CO - Fox Theatre -
19-Apr-Salt Lake City, UT - Vertigo at the Complex -
21-Apr-Seattle, WA - Neumos -
22-Apr-Vancouver, BC - The Rio Theatre
23-Apr-Portland, OR - Aladdin Theater
26-Apr-Solana Beach, CA - Belly Up
27-Apr-Los Angeles, CA - The Music Box (Henry Fonda Theatre)
28-Apr-San Francisco, CA - The Fillmore
30-Apr-Las Vegas, NV - Hard Rock Café
2-May-Dallas, TX - The Loft
3-May-Houston, TX - Warehouse Live Studio
4-May-Austin, TX - Emo’s Alternative Lounge
6-May-Atlanta, GA - Variety Playhouse
8-May-Washington, DC - Black Cat
9-May-Baltimore, MD - Rams Head Live
10-May-New York, NY - The Bowery Ballroom
11-May-Philadelphia, PA - Theatre of Living Arts
13-May-Boston, MA - Paradise Rock Club
14-May-Brooklyn, NY - Music Hall of Williamsburg
16-May-Toronto, ONT - The Opera House
17-May-Detroit, MI - Magic Stick
18-May-Chicago, IL - Park West
19-May-Minneapolis, MN - Varsity Theater
Oh! The EP will be out MARCH 8th. Holler.
You can also download his Freaks and Geeks(mcDJ remix) here.
Thursday, February 3, 2011
Machine Gun Kelly AKA MGK - "Cleveland"
Tuesday, January 25, 2011
K. Flay at Troubadour Tonight w/ wallpaper, The Dance Party & More


Tuesday, December 21, 2010
Indie Rock & Rap Mix at Echoplex
Wednesday, December 15, 2010
KOSHA DILLZ and his "L.A. Ish" on SUNSET



Friday, December 10, 2010
Movin' Like Berney
Friday, October 15, 2010
Behind The Lyrics - Toot It & Boot It by YG
Like many chart toppers, the song popularized a catchphrase - this one "toot it and boot it" which DOES NOT mean farted and vomited. Those down with street culture know the reference and probably understand the song - but not everyone is so I'm here to break down the song for you...
The easy going hipster-hop anthem tells a tale of a man meeting a woman on the first night, taking her home for intercourse and asking her to leave afterward.
The song introduces the protagonist, presumably YG, in the opening chorus. He is at the club trying to meet women. After successfully meeting said woman, he convinces her to go to his abode ("crib") by saying hello ("wassup"). Rather than leave something to the imagination, the protagonist confidently lets us know that he successfully got laid ("know I fucked" or, for the radio version, "know I f...d"). After fornicating or "toot(ing) it" the protagonist than kicks the female out or "boot(s) it."
If you were wondering how the story man conquered the booty, YG quickly tell us in the first verse that it was because the female found him attractive and desired to copulate. Our confident protagonist believes he is superior, but is nonetheless willing to engage in sexual relations with this woman. After the female expresses her desire to have the protagonist engage in intercourse with her, he accepts the invitation by giving the female permission to "run it."
YG reminds his audience that he is able to get women easily ("yo I'm a pimp bitch straight game never no sipping"). He also illustrates the size of his genitals through verbal imagery and recollections of the female having difficulty walking post coitus ("and after we did it she was walking with a limp.") Apparently he wants us to know that the intercourse was unprotected and that he is ready for another woman as well. ("bust it open, leave it wet, you know i leave it soakin'/who next I don't ever close, I stay open")
After again reminding listeners of the circumstances under which he met the female, YG opines that the promiscuous female fell in love with him and felt stupid when he asked her to leave his house once the sex was over. It is clear at this point that the protagonist likes to kick women out of his home after intercourse.
In the second verse, our protagonist presumably speaks to a new female having booted the previous one. He advances requests to have sex and tells the potential female mate that she should acquiesce to his requests to have sex with her and make her leave afterward. He tells her she should do this because of his status that she is aware of. He insists she knows where she can find him in the aforementioned club.
The protagonist expresses his delight at the potential female finding him attractive and contemplating their future sexual intercourse. This female has invited several of her friends to join the protagonist's entourage. Once both parties exit the establishment, this new female proceeds to engage in sex, apparently in the position of doggy style. The female involved makes her buttocks cheeks clap together. She and YG engage in intercourse multiple times. But, "only for one night" and then she's "gotta go."
The chorus resumes followed by a short banter third verse that reminds us that the protagonist's female sexual partner(s) had sex with him and was(were) forced to leave his house which resulted in her(their) feeling stupid.
YG performs at Key Club this Wednesday, October 20th. E-mail contest@supergoodmusic.com with subject heading "Behind The Lyrics" for a shot at winning a pair of tickets.
SONG LYRICS
Toot It And Boot It lyrics
(chorus)
I met her in the club
then I said wassup
I took her to the crib
and you know I fucked
yea toot it and boot it
toot it and boot it
toot it and boot it
thats why I toot and boot it
(x2)
She think im cute, she wanna have Sex
girl knock it off you know you cant have this
(Verse)
and she told me run that, i told her run it
and she never seen a chick until she met my magic stick
yo im a pimp bitch straight game never no sippin
And after we did it she was walking with a limp
bust it open leave it wet you know i leave it soakin
who next I don't ever close, I stay open
i met her in the club, you know i was drunk
i asked her name and then i said i wanna fuck
and im YG and you know I fucked
and she fucked back like a little slut
and she fell in love ya
and she felt stupid cuz you know
i toot it and boot it
(Verse2)
girl let me toot that boot that stop actin stupid
acting like you dont know me like who that
walked in the club but ill fly things
im in the back girl you know where to find me
and I love how she think im cute
and she dont even wanna tell me what she wanna do
its me and my crew her and her friends
and they all trying to leave with us when the club ends
and she toot it from the back and you know she made it clap
and you know I run it back like
only for one night and she know im on like a switch on light
hey girl I can have you feelin right
I can supply the pipe
just make sure its tight
we can do it all day only for one night
and after that you gotta go
(Verse3)
i toot it to the left i toot it to the right
fuck with me we gonna do it all night
i seen a bad bitch i swing my hat back
and after i hit its on my back
cuz i toot it and boot it
and made her feel stupid
Friday, September 17, 2010
Meet Signal Path (Playing The Roxy Saturday 9/25)

Over at SUPERGOODMUSIC, we are stoked to have the stellar line-up of Blockhead, Signal Path and Nocando coming to town next weekend. After listening to Signal Path's recently released (AND FREE) album, Imaginary Lines (which you can play at the bottom of this post) we reached out to the artists to learn more and get amped for the upcoming show.
Not only did we discover that Signal Path's Damon Metzner is a cool mo-fo who formerly lived in Michigan, we found out he trained under Galactic's Stanton Moore too!!! Imaginary Lines had me sold on attending The Roxy initially, but armed with the knowledge that Damon is a funk master's disciple, I definitely won't miss a minute next Saturday!
Below is our full interview with Damon from just before he hit the road to tour (first show was last night Seattle), along with a stream of the album. ENJOY :D
SUPERGOODMUSIC: Where did you grow up?
Damon: I grew up in the great city of New Orleans, with a little bit of time in America's High Five: Michigan!
SUPERGOODMUSIC: How did you decide to chase a career in music? When did you give up the typical "day" job?
Damon: I've been bouncing between being a performer and working the music industry side of things since I was 17. The last job outside of either the music industry or performing was at a pizza shop in New Orleans when I was 16.
SUPERGOODMUSIC: Did you go to school for music or take any music lessons growing up?
Damon: I did both. I started out taking lessons with the great teacher Mark DiFlorio in New Orleans who then introduced me to Stanton Moore. Stanton was a gigantic inspiration in my playing and having him take the time to show me a few things was a huge motivator to say the least. I then went on to major in jazz at The University of New Orleans before changing my major to business at The University of Montana.
SUPERGOODMUSIC: Where did the name Signal Path come from?
Damon: Ryan Burnett (guitar production) came up with the name in 2000. It makes sense for an electronic act, no? Haha.
SUPERGOODMUSIC: What is Signal Path all about?
Damon: Signal Path is a musical project created by Ryan Burnett (guitar/production) and myself, Damon Metzner (drums). We try to incorporate deep melodic ideas that wrap around compositionally focused core of intricate rhythm and massive low end. Both Ryan and I draw a lot of influence from american roots music, and try to incorporate those influences with our electronic production. Rhythmically, we definitely identify with a lot of glitch, hip hop and big beat music, but intertwine acoustic instrumentation as well. We regularly incorporate acoustic guitars, mandolins and lapsteel guitars that weave inside synths, massive leads and heavy basslines. Our goal is to produce deeply meaningful unique music that can be both beautiful and intense live.
SUPERGOODMUSIC: What's brewing at the moment?
Damon: Right now we are 100% focused on the recent drop of our free album Imaginary Lines, that came out on September 1st. Getting ready for one of the most exciting headlining tours in our history too. We couldn't be more thrilled to share the stage with some of our favorite artists in the nation including Blockhead, Bluetech, Designer Drugs, EPROM and EOTO. Having the opportunity to perform with artists of this caliber is a HUGE inspiration.
SUPERGOODMUSIC: What makes this tour that you're embarking on different from all your previous ones?
Damon: This tour really stands apart as it's giving us the opportunity to perform music from an album that we spent more time on than any other release. This tour also is allowing us to work with some of our favorite producers in the country.
SUPERGOODMUSIC: When will you be playing LA?
Damon: Saturday September 25th. At The Roxy. We're giving you a pair of tickets to give away. (tweet and mention @supergoodmusic @signalpath & @theroxy for chance to win or e-mail contest@supergoodmusic.com with the Subject: Signal Path)
SUPERGOODMUSIC: When was the last time you played LA? Where? How was it?
Damon: We haven't played in LA since 2007 when we did a run with the Pnuma Trio. We played a place called Fais Do Do. It was a great time for sure. LA throws down.
SUPERGOODMUSIC: Where have you stayed in LA when you've come? Do you have a favorite place? Do you have a favorite spot to hit up to eat?
Damon: Hahahaha - Well, we pretty much always stay at some seedy motel....this one time, naw, forget it.
SUPERGOODMUSIC: Have you had In n Out? Is it the best fast food burger there is?
Damon: I have had In n Out...and although a fantastic burger, I have to say that the Burgerville's in Portland, OR takes the cake for the organic(ish) fastfood chains...I hope I get some free burgers out of this!
SUPERGOODMUSIC: I hope I do too. So, what's next?
Damon: We're focused on making the next several months some of the most positive in the history of the band. We couldn't be more proud of the music we've put out on the new album. We just really can't wait to get on the road and share the music with the fans live. Ultimately, none of this would be possible without their support.
SUPERGOODMUSIC: Anything else you want to let the SUPERGOODMUSIC community know?
Damon: We just really want to thank all the fans. Like I said, NONE of this could happen without them which is one of the reasons why we give the music away for free. Of course we'd like to give props to www.supergoodmusic.com for the opportunity to share these thoughts and help spread the word. We'd also really love to thank all the artists we're fortunate enough to work with including the amazing visual artist Josh Keyes who donated a fantastic piece of art for our use as our album cover.

FULL TOUR SCHEDULE:
09/16/10 Thu - Seattle, WA Nectar Lounge - w/ Blockhead, Nocando
09/17/10 Fri - Bellingham, WA The Wild Buffalo - w/ Blockhead, Nocando
09/18/10 Sat - Portland, OR Refuge - w/ Blockhead, Nocando
09/21/10 Tue - San Diego, CA Casbah - w/ Blockhead, Nocando
09/22/10 Wed - Santa Cruz, CA Moe's Alley - w/ Blockhead, Nocando
09/23/10 Thu - Arcata, CA Arcata Theater - w/ Blockhead, Nocando
09/24/10 Fri - Berkeley, CA Shattuck Down Low - w/ Blockhead, Nocando
09/25/10 Sat - West Hollywood, CA Roxy Theatre - w/ Blockhead, Nocando
10/01/10 Fri - Dallas, TX La Grange - w/ Eprom
10/02/10 Sat - Austin, TX The Parish Room - w/ Eprom
10/09/10 Sat - Denver, CO Ogden Theatre - w/ EOTO
10/14/10 Thu - Minneapolis, MN Cabooze - w/ Sovereign Sect
10/15/10 Fri - Aberdeen, SD VFW Post 42 - w/ Sovereign Sect
10/16/10 Sat - Fargo, ND The Aquarium - w/ Sovereign Sect
10/20/10 Wed - Ann Arbor, MI Blind Pig
10/21/10 Thu - Grand Rapids, MI Founders Brewery.
10/22/10 Fri - St.Louis, MO 2720
10/23/10 Sat - Madison, WI Annex
10/28/10 Thu - Missoula, MT Wilma Theatre - w/ Designer Drugs
10/29/10 Fri - Bozeman, MT Filling Station
10/30/10 Sat - Chattanooga, TN Collective Vision
11/11/10 Thu - Oxford, MS Proud Larry's - w/ Bluetech
11/12/10 Fri - Nashville, TN 12th + Porter - w/ Bluetech
11/13/10 Sat - Asheville, NC Club 828 - w/ Bluetech
11/15/10 Mon - Blacksburg, VA Awful Arthur’s - w/ Bluetech
11/16/10 Tue - Knoxville, TN Southbound - w/ Bluetech
11/17/10 Wed - Raleigh, NC Pour House - w/ Bluetech
11/18/10 Thu - Wilmington, NC Kefi - w/ Bluetech
11/19/10 Fri - Charleston, SC The Pour House - w/ Bluetech
11/20/10 Sat - Atlanta, GA Apache Cafe - w/ Bluetech
12/4/10 Sat - Chicago, IL TBA
Wednesday, April 14, 2010
1st Coachella Performance We're Checking Out Is....WALE
