Showing posts with label NYC. Show all posts
Showing posts with label NYC. Show all posts

Tuesday, October 18, 2011

SUPERGOODMUSIC SHOWCASE at CMJ


Come rock with us and friends at our Friday night showcase at CMJ. We'll be featuring SUPERGOOD family Weapons of Audio and Kosha Dillz, as well as hip-hop veterans Rahzel and Jarobi from A Tribe Called Quest. Headlining the night are buzzing indie-blues rock act The Stone Foxes, who are also playing SUPERDOPE on November 16th, as well as Soul Khan and Shinobi Ninja (who just played The Roxy last week).

Come see what will be the fresh sound in 2012 while its still 2011. Come to Dominion on Friday night.

428 Lafayette. Admission is free with a CMJ Badge or with RSVP here. Otherwise, its $5

Wednesday, September 1, 2010

SUPERGOODMUSIC NYC: Lomma's Trip To East Coast Hipster Heaven



If you ever make your way to New York City during the muggy summer months that most people avoid like the plague (think: over-crowded, over-heated subway systems and a pungent aroma of homeless wanderers with their accompanying excrement frying in the sun), you will find yourself with a plethora of musically delicious options that will surely detract from your seemingly overwhelming olfactory sense. With an abundance of thrifty (and nifty) happenings all around the city for three summer months, you hardly even need to have a job! That said, you should totally get a job because, let’s face it, living on your buddy’s couch or in your parent’s basement or in cardboard boxes that some New Yorker's call home is so not hip n’ cool.


So on one of these particular steamy New York City weekends, I thought it a good idea to invest one night in making my way over to one of the inexpensive, if not free, shows on Governors Island. A short subway ride and a ferry trip later, and I made my way through the island and toward the expanse of land where the stage was set up for Los Angeles' own Local Natives to play.




Local Natives is a band that reminds me of The xx - not necessarily in sound but in quality. Both are very good bands, but both have only released one album. Sure, pretty much every song on that album is relatively delicious, but when you go see them, there isn’t going to be too many surprises in the set list or in the sound. As I had predicted, they ended their set with the most obvious choice, “Sun Hands”, but the hit by far of the night was my own personal favorite, “Wide Eyes”, a track with a ridiculously sweet beat and darkly enchanting lyrics. Local Natives, like The xx, is the kind of good quality band where you can go to a show, close your eyes, and not really know whether you are sitting alone in your car or standing amongst a swarm of people in the middle of Governors Island.


They sound exactly like their album, which is good, but it also means there are no surprises up their sleeve... but can you really expect a monstrous light show, an epic jam session, or elaborate costumes from a mellow indie band? Not really. So my point is that they are good. Would I pay $60 to see them at this point in their career? No. But for a mere $10 (the near-equivalent to purchasing their album on iTunes), I got to hear them play outside on a beautiful summer night with a cold beer in hand, the New York City skyline serving as a backdrop, and not through my low-quality car speakers while sitting in agonizing traffic on the 101.


Another New York City summer time treat is the free Jelly Pool Parties at the Williamsburg Waterfront in Brooklyn. These parties are like a daytime hipster haven complete with a misting station and epic city views. I mean, what does every New York-based hipster want to do on a lazy Sunday afternoon? The answer is simple: head to the motherland (aka Williamsburg), drink beer, and sprawl out on the grass between sweet beat dance-offs. Oh yes, that’s right. There were dance-offs... which felt more like train wrecks so bad that you couldn't not look, except in this case the trains were being driven by post-meth-head hipster-wannabes.



On this particular weekend, I ventured out to see Cut Copy. It was a beautiful Sunday, and I couldn’t think of a better way to spend it than basking in the sunshine at a free concert in Brooklyn. By the time I arrived there, Memory Tapes was playing, who proved to be a nice backdrop to my hangover. Finally, Cut Copy took the stage and opened with a very delicious track, “Lights & Music." This was followed by old and new hits including “Hearts on Fire”, “Going Nowhere” and “Blink and You’ll Miss a Revolution”. There were points in the show where I wasn’t sure if the Melbourne-based band was actually even playing their instruments, mostly because it seemed the song kept going even while all the band members had their hands up in the air. Due to my profound respect and love for this particular band, I’m just going to chalk the phantom playing up to a mere hangover hallucination. Either way, the Jelly Pool Parties are great New York City summertime fun, and free music from synth-band heavy-hitters? Well, that’s just heaven, hipster heaven.


Post/Pictures by Lauren Lomma

Monday, August 9, 2010

A Night With Chromeo (Lommabot Checks in From NYC)


Dave 1

We've got a fancy FILTER friend who keeps her finger on the pulse of the coolest haps, including what's brewing in the music scene, at all times...Lauren Lomma, maybe you've heard of her? If you haven't, you should try and follow her on twitter @lomfry3 (if she'll accept your request) because she is hilarious and she knows what's what.

Aggressively trying to rival anyone for most wicked concert schedule of the summer, Lommabot, as we like to call her, has been seeing anyone and everyone in NYC, from Cut Copy to Chromeo. With just a few weeks ahead of them before the scheduled release of their third studio album, Business Casual (set for September 14, 2010), the latter apparently they threw it down for the east coasters.

Don't miss the opportunity to see them, and if you need to be convinced why, just read what Lommabot has to say about their latest NYC performance below:

The humidity plaguing the streets of New York was nothing in comparison to the heat being generated inside the Bowery Ballroom on this particular Thursday night. Bodies bounced against each other, everyone danced in excitement as Holy Ghost! belted out some delicious tunes. The Passion Pit-esque quality of their beats was a welcome change to the classic DJ sets they usually dole out. The crowd bopped their heads and moved their bodies in approval, though they were all really waiting in anticipation for the headliner: Chromeo. Unbeknownst to the fans who pummeled their way to the foot of the stage, Dave 1 and P-Thugg were saddled up in the back near the bar. Dave 1 nodding to the beat, clad in all white with some sort of retro/hipster Jew-fro hybrid atop his head. P-Thugg, however, talked it up to a sassy brunette chick, only exiting after finally catching her digits.


P-Thugg


The lights glared on, and the classic intro of “Chro-me-o. Oooh! Oh!” blasted through the speakers; the crowd was instantly electrified. The duo came to the stage, Dave 1 donning a pair of classic wayfarers to shield himself from the glaring lights. They opened with a song from their soon-to-be released album, “Business Casual”, and throughout the night they alternated from promising new songs to reliable super-jams off their previous albums. The Hall & Oates of the electro era managed to excite the masses with classic hits such as “Fancy Footwork” and “Bonafied Lovin’”, as well as a Dire Straits cover, “Money For Nothing." Rocking out under the hot lights of the stage these two are the super-hip electrofunk geniuses known as Chromeo, where as moments earlier they were merely David and Patrick of Montreal: just a couple of hipsters admiring another fellow musician, being oh-so cool sipping on their cheap beers and lavishing in the advances of the ladies. One ridiculously amazing set and an encore of “Momma’s Boy” later, and every New Yorker in the place was dripping in sweat, grinning from ear-to-ear, and running home to scoop up tickets to whatever Chromeo show they could hit up next.



The duo comes to Los Angeles on August 29th to the Hollywood Bowl, where they will share the stage with The Chemical Brothers, YACHT and KCRW's Jason Bentley. You can purchase tickets here.